Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

i don't have enough familiarity with guitar amps to tell you if it β€œsounds good” by guitar amp enthusiast standards, but i will say that i have enjoyed browsing the built-in patches and observing how varied the tones can be. i don't have to worry i've got the wrong amp i suppose

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

it has a few dozen ampsims and you can even load IRs but that's not for me. i'm probably gonna pick one favourite out of the built-ins, tweak it how i like it, and use it for everything? variety per se is not why i got it, but i do like that i can choose tone after buying

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Saagar Jha

(replying to Kanbaru 🌟 (one hikari of too many))
@hikari I tried putting LLVM code in it and it got upset

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

with that said the variety in available like, genre, is valuable so i will probably make use of it sometimes if i don't end up sticking to one genre (it is actually very implausible i will stick to one genre no matter how good of an idea that would be for improving skill)

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

stereo delay my beloved

Photo showing a Zoom MS-80IR+ effect pedal on the floor (it is black and the screen is illuminated in blue), with an instrument cable, headphone cable (via 3.5mm adapter) and USB-C cable connected to it. The screen shows the editing interface for the parameters of a delay effect.
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Martijn Frazer

(replying to Kanbaru 🌟 (one hikari of too many))

@hikari this rules

Kanbaru 🌟 (one hikari of too many)

(replying to Martijn Frazer)

@Tijn ^^

part of me wants to become a bassist clearly

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

β€ͺi love the zoom ms-80ir+ so much… the convenience of being able to, among other things, switch to the tuner, switch back, bypass the β€œamp” (hear completely clean tones), un-bypass it, bypass the effect, unbypass it, switch patches, adjust output volume… all with just my feet!‬

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

β€ͺthe fact the ms-80ir+ is a usb audio interface is extremely convenient too because i can plug my earphones into it and hear both my guitar playing (as processed by the pedal) and my laptop's audio output simultaneously, both in full stereo and high quality (it's not noisy yaaay)‬

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

β€ͺthis in particular has been such a godsend for me you have no idea. i am usually in the zone and just want to play guitar, but occasionally i need to consult a youtube video, or play back what i just recorded, or i want to listen to music, and i can do this without unplugging‬

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vriska, thief of light :light2:

(replying to Kanbaru 🌟 (one hikari of too many))

@hikari does it have a way to disable loopback? i could see (possibly kind of bad) reasons to want to do that in software instead

Kanbaru 🌟 (one hikari of too many)

(replying to vriska, thief of light :light2:)

@leo i'm not using loopback here, my earphones are connected to the pedal's output and the pedal is receiving audio from my laptop and simultaneously processing guitar input

not sure if it has a loopback function for the audio interface, wouldn't be surprised if it does though

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

@leo if i wanted to, i could connect my earphones to my laptop's 3.5mm output instead, and then have my laptop do a soft-passthru of the audio output from the pedal output (received via usb) to the laptop output, which would produce a similar overall result to my current setup except having worse latency and more noise (laptop's 3.5mm output sucks)

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

@leo oh, wait! do you mean having the normal pedal output be suppressed for the headphone output, and instead it only outputs what is received via usb? i think that'd be called disabling monitoring rather than disabling loopback. i would have to check the manual…

vriska, thief of light :light2:

(replying to Kanbaru 🌟 (one hikari of too many))

@hikari yeah, i was calling it loopback bc of the pulseaudio module name lol

Kanbaru 🌟 (one hikari of too many)

(replying to vriska, thief of light :light2:)

@leo i checked and there's an option in the pedal's settings to adjust the monitoring balance, by default it's 50:50 incoming usb audio vs pedal output, but you could set it to 100:0 for the use case you envision

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

@leo β€œloopback” is fun because it's both a thing you might want a computer to do (mix microphone/guitar audio with outgoing computer audio and send it back to the audio interface for listening) and a thing you might want an audio interface to do (mix microphone/guitar audio with incoming computer audio and send it back to the computer for recording), and indeed both kinds of loopback exist!

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

@leo (i don't think this particular audio interface has this latter feature though. i know of two others that do.)

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

β€ͺ(i love this thing, but it is easy to love it when my previous setup was so incredibly painfully inconvenient and every single feature of this device is solving a specific friction or pain point i had before ^^;)‬

Kanbaru 🌟 (one hikari of too many)

(replying to Kanbaru 🌟 (one hikari of too many))

sometimes a girl just wants to play nothing but tritones into a simulation of a high-gain amp in the middle of a empty chapel for two straight minutes

Claire

(replying to Kanbaru 🌟 (one hikari of too many))

@hikari Nice and heavy but needs just a touch more distortion, it's thick and growly enough to make the empty chapel rumble but not quite enough to cause small chunks of rubble to fall from the ceiling in a chaotic pattern around the guitarist as the song progresses until at its conclusion she finishes, miraculously unharmed, directly beneath the now open sky