R
(replying to R)
@hikari this worldview-reshaping vibe comes not only from worked examples in lectures but also a *particular* style of building guided homework, labs, and projects (which, incidentally, thus drags in a lot of out-of-scope-for-this-discussion problems and criticisms regarding TAs and labor relations)
R
(replying to R)
@hikari the thing that really frustrates us, that we don't get and don't know what to do about, is that basically all of our own attempts to teach other people things using this vibe have not only failed but often seem to get explicitly rebuffed
we have no idea why or whether it is even something that we ourselves are doing wrong
R
(replying to R)
@hikari we unfortunately didn't get a "fair" exposure to second-language learning in school (we did Mandarin and stumbled hard into the realization that normal curricula are completely unsuitable for heritage speakers), but what we've seen of (American) first-language English grammar instruction is *completely worthless*
R
(replying to R)
@hikari for reasons that we also don't understand, compulsory education English teachers seem vaguely allergic to grammar, and *especially* allergic to "more academic" analysis of things such as tense–aspect–mood (imo the hardest part of English grammar)
we ended up getting taught this by our father who presumably learned it from some (possibly-non-US) english-as-a-*second*-language teaching material
R
(replying to R)
@hikari whenever we need to triple-check something that we aren't sure about even as a native speaker, nowadays we tend to reach for _linguistics_ reference material and not "English grammar" reference material that we were (barely) shown back during compulsory schooling
R
(replying to R)
@hikari wrt music, we actually did learn a bunch of music theory by rote memorization. it ended up being completely useless and we've forgotten most of it. it also just... never made any sense?
R
(replying to R)
... because nobody successfully performed the _worldview shift_ to explain that "this is *one* framework for applying constraints to and studying the infinite variations that is sound/music. it is useful *because* many creative endeavors involve consuming, analyzing, borrowing from, and remixing *existing* culture in a manner which is *in conflict* with the ideology of 'individual creative expression' which is being concurrently propagandized"
