Iwasawa 🌟 (one hikari of too many)

i'm still terrible at keyboard, but my improvisation has gotten a lot more musical sounding, because i tend to place my fingers so that they have nice intervals between them like 3, 4 or 7 semitones, or sometimes 2

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1 replies

Saagar Jha

(replying to Iwasawa 🌟 (one hikari of too many))
@hikari Oh I am good at keyboard I keep all my fingers on the homerow and touch ty–wait hang on

Iwasawa 🌟 (one hikari of too many)

(replying to Iwasawa 🌟 (one hikari of too many))

‪oh and i stay within some kind of improvised scale while doing that‬

Iwasawa 🌟 (one hikari of too many)

(replying to Iwasawa 🌟 (one hikari of too many))

‪i never learned the standard scales in a proper fashion, but it turns out that if you know the pattern in your head of how many semitones there should be between things, and get into the habit of counting them out, eventually you get used to the finger placements anyway…‬

Iwasawa 🌟 (one hikari of too many)

(replying to Iwasawa 🌟 (one hikari of too many))

‪the aebersold blues scale isn't really a scale but it was fun enough to play with that it got me into the habit of transposing scales, which i wouldn't otherwise be interested in doing, and i think that's improved my keyboard skill‬

Iwasawa 🌟 (one hikari of too many)

(replying to Iwasawa 🌟 (one hikari of too many))

‪what i really need to get a good grasp of is functional harmony and such things. i know when a chord progression works, but without knowing “why”, it's hard to solve problems when writing things, or trying to improvise for that matter‬